Reading The Alchemist
September 24th, 2008I just don’t know about The Alchemist, the mid ’80s novel by Brazilian author Paulo Coelho.
Well, I do know about it - I have recently read it after all - but I just don’t know if I like it too much. The BBC, amongst others, have told me that I should like it; it is one of their top 100 ‘must reads’, but I think that perhaps you can get away without reading it. I have read better books (though I guess, I’m not too sure if I’ve read 100 better books).
In case you did not know, The Alchemist is the story of a young Spanish shepherd who dreams of fulfilling his destiny. As we soon find out, this destiny roughly equates with to a trip to the pyramids of Giza in Egypt for a jaunt of treasure hunting. This density is revealed to the shepherd in a series of repetitive and identical dreams. He initially has some reservations about undertaking such a trip and experiences conflicting feelings over the prospect of abandoning both his flock as well as his potential romantic interest. However, a mysterious old man convinces him to follow his heart, inferring that completing this task will reveal the ’soul of the world’, and thus fulfill his fate.
Along the way, the boy encounters a series of potential setbacks that threaten to derail his journey as he travels from Andalusia, to Tangier, then across the Sahara towards Egypt (such as thieves, tribal warfare and even new love), which often lead him to question the task at hand. However, such doubts often foiled by new characters, usually wise men archetypes that reinforce the rectitude of his journey to the pyramids. Indeed, the Alchemist, for which the book is titled, is one of these archetypes and reveals to the boy that in order to find joy, one must complete such journeys. Using the Alchemist character, Coehlo infers that destiny is not actually fatalistic, but rather composed of whatever you truly desire.
“Listen to your heart” is the ultimate message of the novel (perhaps Swedish pop duo Roxette had read this book prior to penning their 1988 hit of the same title). Spiritualistic idioms frequent the text. For example, the idea that the universe conspires to bring the individual the true thing they desire, omens appear to guide the individual towards realising their ultimate dream. Coehlo calls this evidence of the Soul of the World communicating to the individual. This sounded a lot like the guidelines for the fad self-help technique ‘The Secret’. Actually, I must admit, perhaps my opinion of ‘The Secret’, increased my skepticism of the message of the book, and consequently effected my enjoyment.
This is all well and good, and many of the passage do get your head whirring about ‘fulfilling your own potential’, but in the end, it reads like new-wave spiritual propaganda; the kind of words that would have would-be spiritualists salivating, the kind which the average person would think were not entirely in today’s realities (it seems Madonna is a fan, she wrote some words about the book being great on the back of the dust jacket and, if you go by what the media say, Madonna doesn’t seem all that right in the head most of the time).
Look, it’s not bad, but it is nothing too groundbreaking. The writing while idealistic, flows well and it makes the novel an easy read. Coehlo gets his ideas across in a fairly straightforward manner; but the book reads like an extended biblical parable, which occasionally makes the characters seem two-dimensional and not entirely real. All in all, if you yearn for complex plot with flawed and real characters, perhaps it might do to look elsewhere.
Rating: 



